![]() Formal aspects of the show draw on extractive and additive methods used in the construction of the built environment, redefining topographies, installing announcement systems, and placing signage to direct traffic through the space. Physically and metaphorically mining the landscape, the artists in Bottomland present alternative understandings of the local, from monuments to native flora. The artists in Sculpture School found home in that metaphor, sinking their toes into the mire of the overlooked, unseen, and unloved. In prairie landscapes, bottomlands appear as depressions in the earth, sunken and soggy places sitting at a river's edge. The works presented respond to this contemporary environment, ranging from self-contained sculptural objects to landscape interventions and movement-based performance video. They examined how Dallas' construction has shaped its surrounding ecology and how the city incorporates nature into its tangled mass. Sweet Pass Sculpture School artists conducted a broad survey of this lost prairie, exploring remnant parcels in the Clymer Meadow and Frankford Church and the manufactured prairie of the GW Bush library. ![]() The Texas Blackland Prairie-the ecoregion where Dallas is located-is the most endangered large ecosystem in North America (currently, less than 1% remains).
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